Category: Spain

Jo dibuixo i tu?

23/4/2016

Plaça dels Àngels.

Rafa serves. ©Sue Pownall 2016

I have just spent the last few days in Barcelona. On Wednesday, I flew over having left my assistant to stay with her dogsitter. After checking into my hotel, I headed straight to MACBA and spent and hour on the above sketch.

After the rain stopped, I spent Thursday at the Barcelona Open BancSabadell – Trofeo Conde de Godo. I saw Rafa win amongst other matches, but didn't sketch anything.

Friday morning, I headed out for breakfast and had to paint the girl at a nearby table. (below) I went straight in with paint as I didn't know how long she would be there. I had just snapped her surreptitiously, should have moved the menu, when she left.

From there, I visited the Fundació Antoni Tàpies and saw some interesting artwork and prints before heading to Passeig de Gracia. Being the day before Sant Jordi (Saint Georges), who is the patron saint of Catalonia, Gaudi's Casa Batlló had been covered in roses. It looked beautiful and still being early there were not too many people, so I sat on the street corner to sketch it.

Gaudi's Casa Battló covered in roses.

In the afternoon, I went to see some more art at the CaixaForum, which had an exhibition Impressionists and Moderns: Masterworks from The Phillips Collection.

Then went for a walk up to Barcelona's botanical garden. I sat and did a small watercolour, which I really enjoyed painting, surrounded by vegetation, bird song (including green parrots), and little else.

Afterwards, I had a wander around took lots of photos of the beautiful plants and flowers.

A glade in Jardí Botànic de Barcelona.

Yesterday was my last day and I spent it catching up with some friends. I still managed an incomplete sketch whilst waiting to meet a close friend for brunch. I wanted to capture some of the San Jordi celebrations, as I did last year (Sant Jordi 2015) but tables and more were still being set up, so started above them... and ran out of time.

Finally, a photo of Saint Georges dragon near Barcelona university.

*Jo dibuixo i tu? is Catalán for I draw, do you?

Barcelona boats, bars, ballerinas...

3/5/2015

Fleca els Angels, Carrer D'Elisabets.

... & some tennis.

Rosas Di San Jordi, Las Ramblas.

Before last Saturday's Barcelona sketchcrawl, see my previous post here, I had spent a couple of days in the city.

On Thursday, I went to the Barcelona Open, and got to realise a dream - to watch Rafael Nadal play in Spain whilst sat among a Spanish crowd. Mostly I was too busy watching the tennis to sketch, but I did manage the one below between matches.

Thursday was also Saint George's Day and everywhere people were handing out red roses. I was offered one first thing, but didn't accept as I was heading into the tennis stadium. I tried to sketch some in the Ramblas, but the crowds were massive and frequently obscured my view. The sketch to the right is the best I achieved.

The next day, I took an early morning walk and ended up at a café, where I'd had breakfast before the Urban Sketchers 2013 Symposium and had meant to sketch, so I did. (see above)

Stadium at Real Club de Tenis Barcelona

Barca Catalana - Jean et Marie

Then it was on to the Maritime Museum where I sketched a traditional Catalan fishing boat.

Late afternoon, I headed off to join the group Inky Fingers, Barcelona who had arranged to draw the contemporary dance company Las Carmelas.

It was a real challenge trying to capture their movements as they danced. Thankfully they also did some short poses. I used a pad of tonal pastel paper and a multi-coloured single lead pencil. I can't wait to draw with this group again.

Sketching Las Carmelas with Inky Fingers Barcelona.

47th WWSketchCrawl in Barcelona

26/4/2015

Tramvia Blau, Tibidado. ©Sue Pownall 2015

Yesterday was Worldwide Sketchcrawl day and I was fortunate enough to be in Barcelona and able to join their sketchcrawl. I missed the start due to having a lovely catch-up breakfast with a friend, so I took the tourist tramvia blau up to Plaça Dr. Andreu arriving shortly before the other sketchers. My first sketch of the day had to be the tram, but as it only stayed a short while, the sketch became a composite of the trams.

Montse & I sketching the Funicular de Tibidabo.

Whilst trying to capture the tram, I started my second drawing, this time the building for the Funicular de Tibidabo. Despite an underdrawing it fell off the page, which is a problem that keeps occuring.

©Sue Pownall 2015

Taking the funicular up to the Parc del Tibidado, we gathered for a mid-way point photo. Coincidently, the park mascots wandered past and were coerced into the photo.

Photo by Mar Villarino Chico.

Unfortunately, the "spectacular views" were hidden behind cloud, so I started drawing the plane, which was one of the original rides from the park's opening in 1928. As with the tram, I had to start a second sketch as I could only capture it as passengers got on and off, hence the sweet cart on the left page. I'm not one for doing spreads, so after sketching the people at a bus stop, I copied Elena's idea of linking them with the old, big wheel. Finally, I added the genuine American hotdog stand. I'm quite pleased with how the spread came out, what do you think?

Spread drawn in Parc del Tibadado

Parks, flowers, & Shakespeare

2/8/2014

Ink & watercolour. ©Sue Pownall

To continue my blog catch up...

The other week I ran away to Barcelona, just for a night, leaving Degas with a dog sitter. It's my favourite city, and I really want to move there. Unfortunately, circumstances are conspiring against me, for now.

I stayed in a hotel with a fantastic view of the Arc de Triomf, but chose to relax in the shade rather than sketch the view. My batteries are in desperate need of recharging.

Parc de l'Estació del Nord. Watercolour in A5 sketchbook.

That evening, I had arranged to meet friends and fellow sketchers Cesar and Miguel at a performance by Parking Shakespeare who were performing Much Ado About Nothing in Catalan (Molt Sorroll Per Res). I can only understand a few words, but love Parking Shakespeare's outdoor performance, and first saw them in 2012. You can see the previous sketches here.

Having wandered around the area and arrived at the park early, I sat down to paint the amazing mosaic mountain as I love the intense blue.I think the painting is tonally flat, but I enjoyed painting it. Then it was time for the Shakespeare and a similar drawing to last time. Again, I got caught up with the action (even with very limited understanding) and stopped drawing to watch. If you are ever in Barcelona in the summer, I would thoroughly recommend going to one of the shows: lovely setting, great acting, and it's free.

Molt Sorroll Per Res. Blue Micron in A5 sketchbook.

The next day, I started the day with a sketch over breakfast (top). I'd spotted the building whilst heading for dinner the night before. It took me 2 cups of tea and almost an hour, which is looonnngg for me as I have the focus of a gnat. The rest of the day was spent wandering around and going to MACBA before heading back to the airport.

Unfortunately, my quick trip took rather longer than anticipated, as my car broke down on the way home from Heathrow airport. I tried sketching under the streetlights as I sat perched on a bank overlooking the M25 and my sick car, but the motorway was uninspiring. Here's the proof.

Where is your favourite destination to run away to?

Continuing the momentum

6/8/2013

La Sagrada Familia, ©Sue Pownall

Several of us wanted to see the Sketching Barcelona exhibition (by Miguel Herranz, Lapin, Sagar Fornies, Òscar Julve, and others) and to sketch in Bari Gòtic or El Born and so met up the next morning. After the exhibition, which was amazing and inspiring, we went to Granja Dulcinea a xocolateria. Shantele and her partner ordered churros with their chocolate. Kindly they didn't eat them whilst I drew them. I couldn't draw my chocolate as I drank it. I was very impressed as Shantele didn't have her sketchbook with her but soon adopted the suggestion of drawing on a serviette.

The above photo was taken by Chris, the only non-sketcher whilst he was waiting to eat the churros. It shows Alissa, Chris H, Shantele with napkin, myself, Dave Black, & Yvonne sketching.

Reflections. Watercolour moleskin ©Sue Pownall

Afterwards, Chris, Alissa & I walked into El Born district looking for subjects. I left Alissa sketching a door and Chris found an alley she wanted to do. I wandered around a while longer before I saw a distinctive window in a plaza. Luckily, there was a bench across the way and I took out my new watercolour moleskin (given on Virginia Hein's workshop) and tried to capture it. I'm quite pleased with the results and it is not as wonky as the scan implies - my bad photoshop stitching is partially to blame. I can't believe I tackled something so challenging; I think it's partially due to confidence gained from the symposium and a big improvement on how I felt at La Sagrada at the beginning of the trip. Unfortunately, intimidation reset-in later in the day when a lot of us met at CCCB'd cafe and everyone was drawing everyone else. It did make me smile when I asked to see the amazing Luis Ruiz's sketchbook and he said "it's only workshop drawings", just like I had done moments earlier to someone else.

Tapas. A5 sketchbook. Ink & watercolour

When I finished the window it was lunchtime, so I went to a tapas bar I have visited before. It's slightly expensive but very tasty. I sat at the counter and ate a tapas whilst drawing another. Not liking stuffed peppers, I was able to draw that from the plate near me.

The next day, before checking out of my hotel, I went back to La Sagrada Familia. As it was only 9am, there were very few people about and I found a bench with a great view. There's a very heavy influence from Norberto Dorantes as I experimented more with non-waterproof ink. It's also inspired by the work of others on the symposium. I am very pleased with this sketch, so it was a good way to end. All too soon, it was time to head to the airport for a week in UK, and to start planning my return to Barcelona.

La Sagrada Familia moleskin sketchbook.

All over far too fast

5/8/2013

Arc de Triomf. Pen & watercolour ©Sue Pownall

Proud of my 4 lines

Waking up on Saturday morning, I couldn't believe it was the last day of the symposium already. After the panel, I gathered for my 5th and final workshop, Barcelona Perspectives with the architects Florian Afflerbach and Arno Hartmann. The group caught the metro out to the Mies van der Rohe Barcelona Pavilion, where, after a demonstration by Arno & with help from Florian, Alissa and I very carefully drew 4 lines in 25 minutes.

I studied and used perspective back in college and still apply it to some drawings, BUT never with my urban sketches. It was enlightening! Alissa and I did get the basic 2-point perspective finished and I for one felt I'd achieved a lot.

Bottom: mine Above: Florian's 2 minute demo :)

1-point perspective of Mies' pavillion. ©Sue Pownall

Next, we moved into the building to draw it with 1-point perspective. This was new to me, or completely forgotten, and ended up as my favourite workshop drawing from the whole symposium. It was also the best workshop I attended and left me buzzing to try more. Thank you both Florian & Arno.

Back at CCCB, I attended Fred Lynch's fantastic talk, then headed for the metro to join WWSketchcrawl #40 and the end of the symposium. I have never seen so many sketchers in one place - it was amazing! The symposium participants and organisers were joined by the off-symposium attendies, and local sketchers. Numbers vary but the paper said there were 500 sketchers!

I couldn't wait to start drawing, so once the photos were taken, I attempted the Arc de Triomf itself. Thanks to James Richards, the crowds weren't daubting to draw and I am very pleased with my result (top). There was some great music nearby, so several of us drew the buskers as we enjoyed it. When we gave them some change as thanks (great subject & music), they asked to see our sketchbooks and clapped us as we had clapped them.

Gadjo at Arc de Triomf.

Finally, we headed back to CCCB for the closing ceremony sniff sniff. I'd managed to get a copy of Nina Johansson's book and she kindly signed it for me, which is a fabulous souvenir of both the symposium and last year's trip. Another fabulous souvenir was Florian's drawing of the Mie's Pavilion, drawn whilst I was sat next to him, which I got in the silent auction.

and then the rain came...

3/8/2013

From Panaramas in light and shade.

Melanie talks about Picasso as we shelter from the rain.

In the afternoon of the 1st day, I attended the workshop of an illustrator I admire, Melanie Reim. Sitting in CCB's patio she talked about Picasso making marks as an introduction to Channelling Picasso; the theme of the workshop. Then the heavens opened and we took shelter under the umbrellas of CCCB's cafe and continued the workshop there.

The rain didn't abate all afternoon, and disappointingly for me we stayed at the café drawing each other in various Picasso like ways (or not as mine seem). I'd been looking forward to sketching in Pla de la Boqueria on the Rambla as I spend a lot of time drawing in cafés here in Oman due to the prohibitive heat.

Capoeira my-style.

I have to confess I felt disappointed with my drawings from this workshop, but as lovely Liz Steel said at the drink and draw, we don't know what we get from a workshop until we apply it at a later date.

Still feeling a bit out of my depth, despite the successful morning, I didn't do any sketches at the drink and draw, but chatted to a few people before heading off for dinner. On my way to the metro, I heard/saw a great capoeira troup and cheered myself up with a non directed sketch, my-style.

The following morning, after the panel discussion, it was off to Plaça Catalunya for James Richards' Life between the buildings workshop. This was a workshop I instantly recognised new information that I could use in my sketching, and did on subsequent days. The actual drawings I produced for the workshop aren't good, but I learnt so much that it doesn't matter!

Kumi & I by Pete Scully.

After lunch I attended a talk by Miguel Gallardo, someone I had not heard about beforehand, but he left me in awe, inspired, and emotional afterwards. Then it was on to Virginia Hein's workshop Panoramas in light and shade. It was held down pass Colom at the Maremàgnum, an area I've not seen before.

After the workshop, I went to the drink and draw and was immortalised by Pete Scully, which was flattering.

To be continued...

Barcelona urban sketchers' symposium 1

30/7/2013

My final drawing on Noberto Durantes' Dynamic ink workshop

I have to start by writing a big THANK YOU to the organisers of this year's symposium. What an amazing event they achieved in Barcelona this month! Also, I'd like to thank everyone involved from interpreters to instructors and especially everyone who participated. The symposium was an amazing experience! The best part, for me, were the participants: meeting face-to-face and sketching with people who have been bloggy friends and contacts for years; re-meeting the Barcelona sketchers I drew with last year, and making new friends.

Pre-symposium sketchcrawl. Watercolour & ink A5

I arrived in Barcelona the day before the event, very stressed by the events of the last few months, dumped my bag at my hostel, and dashed to Sagrada Familia to join in the pre-symposium sketchcrawl. On arrival - I froze! I drew there last year with +Nina Johansson, and some of the Barcelona sketchers, so in theory the structure shouldn't have been terrifying but seeing the mass of sketchers and the quality of their sketches and paintings made me panic. I started chatting to +Simone Ridyard whose work I've recently started following and sat with her to do a bad watercolour sketch

The first morning, I was still really very nervous, especially seeing everyone (so it seemed) sketching all around me at registration, so my sketchbook stayed firmly in my bag. My first workshop was with +Norberto Dorantes whose work I really admire and was the first workshop I wanted to do when it was originally listed at the beginning of the year. Norberto was amazing, explaining everything very well. I had some pen issues - my non-waterproof ink was actually waterproof and the cartridge I tried still wouldn't bleed - but got lent one to use.

Dynamic ink: Carrer Comtal for Norberto

Dynamic ink: People

I enjoyed every minute of the workshop, once I had a pen that worked, and wanted it to be longer. I also wanted to experiment more with Norberto's non-waterproof ink technique.

To be continued...

Preparing for 4th International Sketching Symposium

23/6/2013

Forgotten sketch #1: Degas Pencil A5 sketchbook early June

When I heard that the next Urban Sketching Symposium was going to be in Barcelona this year, I told myself I had to go. I set an alarm for when registration opened on March 25th and wooped with delight as I secured myself a place. I bounced around the room as I also got a place on my first choice workshop, conducted by Argentinian architect Norburto Durantes. (Check out his work here). I chose workshops that would complement my style and yet push me to develop further. I contacted friends in Barcelona, booked flights and accommodation, and started the countdown to the big event.

Forgotten sketch #2: A Quriyat lane pen in A5 from car

The Symposium starts in just under 3 weeks, 11th July, and the sketching world - flickr, blogs, facebook - is full of people's excitement and preparations. Unfortunately, I don't know if I can/should now attend as Mum remains in hospital. I fly to UK on 5th so I hope to decide then. Consequently, my preparation is minimal... I've reordered business cards to give out, and Moo is printing some postcards too. I need to buy a pen for Norburto's workshop, but unfortunately need to locate one in UK as I'm out of time for delivery to Oman.

My smoothie. Pencil & watercolour A5 sketchbook

Despite what I wrote in my last post, you will see I've posted 2 sketches from earlier this month... I must have been subconsciously sketching... I found them in my new sketchbook when I met a friend on Friday to sketch. Unfortunately, whilst Friday's venue and company was great, the sketching was a struggle as the 2 sketches show.

A two-handed tea drinker. Direct with watercolour in A5 sketchbook.

Degas

2/5/2013

No not That Degas, but this Degas...

... a 4 month old lab retreiver/wadi dog cross

On 1st April, I picked her up off the street where she'd been hanging around work. She has a sweet nature and I had fussed her and her brother (who had a broken leg) over the previous week. However, on the morning of the 1st, I arrived at work and the security guard told me the brother had been shot but Degas escaped. (There is a big stray problem on the industrial estate and without a dog home system in Oman the police shoot them.) After making some enquiries, I put her in a box and took her home (via the vets) the same day.

A 3-month old scared pup. April 1st

I have grown up with dogs, and one of things I did not like about my lifestyle was the fact I couldn't have a dog. I think, that having made the decision that I am moving to Barcelona by next Easter, it was easy to adopt her.

Naturally, having a puppy in the house has meant some big changes. She is the reason I am struggling to do artwork. It's hard working when you have a puppy. Either she needs 100% of my attention, or when she's asleep I'm too tired to draw. Of course I have managed a few sketches, but not many.

One of my first Degas sketches. 14 April

In the month I've had her, she's had all her vaccines, been spade, and got a chip. Most importantly, she has put on 4kgs and is growing fast.

19th April

This is her PLEASE play NOW face!
How can I resist?

I apologise for the infrequent blogging, for not visiting your blogs, and for generally disappearing. Normalish service will resume in a few months, when Degas is a little older, I hope.

Please remember I love receiving your comments.

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