Sue Pownall: Artist & illustrator
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New Town Open Gardens

19/6/2016

 
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Click image for a larger view of the sketchbook spreads so far. ©Sue Pownall
Back in February, I was invited to sketch the New Town Open Garden event. The event is this afternoon, but I made a head start yesterday by sketching the Community Garden and both of the organisers gardens too.

I shall do all the initial drawing on site using a Seawhite concertina sketchbook, but finish inking and colour in the studio.
Eighteen to go this afternoon! Wish me luck.

Jo dibuixo i tu?

23/4/2016

 
Picture
Plaça dels Àngels.
PictureRafa serves. ©Sue Pownall 2016
I have just spent the last few days in Barcelona.  On Wednesday, I flew over having left my assistant to stay with her dogsitter. After checking into my hotel, I headed straight to MACBA and spent and hour on the above sketch.

After the rain stopped, I spent Thursday at the Barcelona Open BancSabadell – Trofeo Conde de Godo. I saw Rafa win amongst other matches, but didn't sketch anything.  

Friday morning, I headed out for breakfast and had to paint the girl at a nearby table. (below) I went straight in with paint as I didn't know how long she would be there. I had just snapped her surreptitiously, should have moved the menu, when she left.

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From there, I visited the Fundació Antoni Tàpies and saw some interesting artwork and prints before heading to Passeig de Gracia. Being the day before Sant Jordi (Saint Georges), who is the patron saint of Catalonia, Gaudi's Casa Batlló had been covered in roses. It looked beautiful and still being early there were not too many people, so I sat on the street corner to sketch it.
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Gaudi's Casa Battló covered in roses.
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In the afternoon, I went to see some more art at the CaixaForum, which had an exhibition Impressionists and Moderns: Masterworks from The Phillips Collection.

Then went for a walk up to Barcelona's botanical garden. I sat and did a small watercolour, which I really enjoyed painting, surrounded by vegetation, bird song (including green parrots), and little else.

Afterwards, I had a wander around took lots of photos of the beautiful plants and flowers.


Picture
A glade in Jardí Botànic de Barcelona.
Yesterday was my last day and I spent it catching up with some friends. I still managed an incomplete sketch whilst waiting to meet a close friend for brunch. I wanted to capture some of the San Jordi celebrations, as I did last year (Sant Jordi 2015) but tables and more were still being set up, so started above them... and ran out of time.
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Finally, a photo of Saint Georges dragon near Barcelona university.

*Jo dibuixo i tu? is Catalán for I draw, do you?

An arty time.

17/4/2016

 
Picture
Channelling Monet. Colour planned on site but added later.
PictureSketched inside the exhibition.
 On Wednesday, I headed to town with the first stop at the Royal Academy to see the Painting the Garden: Monet to Matisse exhibition. It was the most inspiring exhibition I have seen in a long time and I just want to draw and paint gardens.

Next stop was at my favourite London gallery, The National Portrait Gallery, where I went from inspiring paintings to amazing photography in the Vogue 100: A hundred years of style.


Arriving early to meet friends and fellow artists, Jean Edwards & Minnie, I took inspiration from the Monet exhibition and sketched the pub focusing on the garden. (above).

After dinner, it was off to the Tower of London. Arriving early I used the 15 minute wait to sketch the Shard. (below)

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We were at the Tower of London for a fabulous evening at #DrawnattheTower with Art Macabre: Ravens and Morbid Corvids. I started off drawing the RavenMaster, who was a fount of knowledge on everything corvid down to the naming of the birds: he was holding Gripp. After a couple of sketches of Gripp, I moved on to the pairs of ravens in their cages. They are only caged at night and roam freely around the Tower during the day. The ravens were very challenging to sketch and moved a lot, my results were not helped by my butterfly brain wating to take photos and chat to the Raven Master: love interesting people. I think my last sketch, drawn on black paper, is the most successful and I have hung it up in the studio. Judge for yourself as here they all are:
After all that artistic input, I've been very busy drawing and planning prints since coming home. I especially want to get on with my Bourne Mill gardening project. What have you been working on?

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Sketchmeet at the garden centre

10/4/2016

 
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Poplar Nurseries, Marks Tey. ©Sue Pownall 2016
Yesterday, I arranged a sketchmeet for the Colchester Sketchers at a local garden centre. It was an inspiring afternoon albeit very chilly.
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Monthly challenges.

3/4/2016

 
Picture
Across the Road. ©Sue Pownall 2016
PictureWIP: Bourne Mill in winter.
There's a new challenge over on twitter led by Anthony Greentree (@antsgreentree) called #buildapril, which is is all about buildings and structures in any media.

Above is my 1st April sketch of my across-th-road neighbours drawn with a Super5 pen with DeAtramentis ink and painted with Winsor & Newton watercolours in A Daler Ebony A5 sketchbook. Whilst right is a work in progress started yesterday of Bourne Mill.

Last month's challenge was #animalmarch, and I started well with daily sketches of my assistant, but then life got in the way. Here are a selection of them:


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The Egg Hunt

29/3/2016

 
Picture
Children hand-in their egg hunt sheets in exchange for a Cadbury chocolate bunny. ©Sue Pownall 2016
PictureIllustration for the Cadbury's Egg Hunt at Bourne Mill. ©Sue Pownall 2016
I was invited to sketch the Egg Hunt at Bourne Mill, a National Trust property, over the Easter weekend.

Good Friday was a glorious spring day, clear skies and sunshine, and the Mill proved to be a very popular venue for an egg hunt as there were over 300 entries, so more Cadbury's bunnies were needed for the rest of the weekend. On Saturday, the forecasted rain held off and saw many more families completing the hunt. Unfortunately, due to Storm Katie and the 50pmh plus winds, the mill was closed on Easter Monday.

Sitting at a picnic table alongside the pond, I sketched the children trying to solve the clues. It was funny watching many of the dads work it out, spot the eggs, almost point, then clamp their mouths shut until their son or daughter could do it.

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Egg hunters. ©Sue Pownall 2016
Eggs were hidden throughout the property and I had to find places to sketch without giving the location away and refrain from looking at the eggs when children were near. Here are a couple of them:
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The clue in the bug hotel. ©Sue Pownall 2016
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The pit room egg. Pencil sketch. ©Sue Pownall 2016
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Finally, the egg hunters returned to the desk and claimed their Cadbury's bunnies. (Top image)


Left is a photo of me sketching in the wheel room. Behind me is the wheel, which was incredibly noisy, but it was an atmospheric place to sketch.

I have to confess, I am disappointed the weekend is now over as it was a great event to attend in a lovely location.

Essex Book Festival Lecture

13/3/2016

 
Picture
Lecture notes. ©Sue Pownall
The Essex Book Festival is on throughout March in various locations across the county. Due to other commitments, so far I have only attended a lecture at the University of Essex last Monday. It was called "From Print to Pixels: The Many Futures of Reading Kodachrome Travels: How colour changed the way we see the world."  I went as I am interested in both colour and film, but have to confess I didn't get the connection to books. However, I thoroughly enjoyed the lecture given by Professor Jeffery Geiger and realise I miss learning. Time to return  to study?
Picture
3 moments around the lecture. ©Sue Pownall
Top image: In the sketch, I wanted to capture Prof. Geiger, but ended up getting so engrossed in what he was saying the page got covered in lecture notes. I did get the colour added at the same time. I'd forgotten, but when I studied at Essex my lecture notes often looked like this, as I strove to capture keywords and points.

Below:  I started on the right-hand page where the three people were stood on the stage chatting prior to the lecture. It seems as if they were friends of the professor and sat behind me when it started. Top left is the woman who introduced the lecture. Then the final sketch on the bottom-left was made during the Q&A session and I loved her twisted body image.

Where have you sketched this week?

47th WWSketchCrawl in Barcelona

26/4/2015

 
Picture
Tramvia Blau, Tibidado. ©Sue Pownall 2015
Yesterday was Worldwide Sketchcrawl day and I was fortunate enough to be in Barcelona and able to join their sketchcrawl. I missed the start due to having a lovely catch-up breakfast with a friend, so I took the tourist tramvia blau up to Plaça Dr. Andreu arriving shortly before the other sketchers. My first sketch of the day had to be the tram, but as it only stayed a short while, the sketch became a composite of the trams.
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Montse & I sketching the Funicular de Tibidabo.
Whilst trying to capture the tram, I started my second drawing, this time the building for the Funicular de Tibidabo. Despite an underdrawing it fell off the page, which is a problem that keeps occuring.
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©Sue Pownall 2015
Taking the funicular up to the Parc del Tibidado, we gathered for a mid-way point photo. Coincidently, the park mascots wandered past and were coerced into the photo.
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Photo by Mar Villarino Chico.
Unfortunately, the "spectacular views" were hidden behind cloud, so I started drawing the plane, which was one of the original rides from the park's opening in 1928. As with the tram, I had to start a second sketch as I could only capture it as passengers got on and off, hence the sweet cart on the left page. I'm not one for doing spreads, so after sketching the people at a bus stop, I copied Elena's idea of linking them with the old, big wheel. Finally, I added the genuine American hotdog stand. I'm quite pleased with how the spread came out, what do you think?
Picture
Spread drawn in Parc del Tibadado

Manchester sketchcrawl

20/3/2015

 
Photo
Sketching the River Irwell sat on Calatrava's Trinity Bridge.
Yesterday,  I joined the Manchester,  Yorkshire,  and Society of Architectural Illustrators (SAI) for a sketchcrawl in Manchester. It was a surprisingly blue skied sunny day, but with an icy wind, which made outdoor sketching a challenge. As you can see from my sketches below, I alternated between outside and inside locations.

It was lovely to meet so many sketchers from all over (40+ at the interim lunch meeting) and hope to get up to Manchester and sketch again... albeit in a warmer month.

Studying with Liz

8/2/2015

 
As mentioned last week, I have been studying on Liz Steel's Sketching Now online course. Stretched over 12 weeks, Liz has covered all the foundations of successful sketching in well-thought out lessons presented in Liz's charming and exuberant fashion. Each week, there has been an indoor and outdoor prompt. I have missed one week entirely (week 9), only managed 2 of the outdoor prompts, but have managed the majority of the indoor ones. 

Despite being a regular urban sketcher, during the last few months of 2014 I had felt lost. However, having worked through this course, on the 11th January I wrote alongside my coursework:
I LOVE DETAILING LIKE THIS!!!... Using class to remember who I am.
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In the first lesson we had to draw our current sketching kit, which is something I've not done before. My Super5 pen has since run out of ink and I've replaced the Super5 Atlantic ink with Noodler's blueblack. I prefer the Atlantic, but can't get it here in UK and the postage is too high from Germany.
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Click on the image to enlarge it and read the text.
PictureClick to enlarge image.
My biggest struggle has been with doing set up lines. When sketching, I normally work directly in ink and sometimes use dots as a guide to key points of a sketch. I can see the value of doing a minimal set up for complex scenes, but, I struggle to observe properly in pencil. Is it because I can change it? I struggled with that throughout the course. Right is an example from week 4.

Liz's course was very comprehensive, and I'd thoroughly recommend doing one if you have the chance. It was good to be reminded of some of the basics, and to try out the exercises. shh don't tell Liz but I frequently got halfway through some exercises and had totally forgotten what I was "supposed"  to be doing. I aslo frequently missed off adding the colour.

One of my favourite exercises and results was looking at shapes. I finally drew my Korean teacup that I bought in 2001 and has been in storage until now. It was supposed to be in 2 colours but I loved the shapes as it was, which is half the fun of experimenting within a class situation.

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Finally, here's an outside sketch for week 10 that is not of a subject that I would normally choose, but captures a snapshot of dad's garden in winter. If you want to see my other sketches for this course, they are all in an album on flickr: Sketching Now coursework
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The high panel fence between myself & the neighbours with little foilage due to the winter.
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    About me

    I am a nomadic artist travelling the world for inspiration. Here, I publish my sketchbook work alongside my new finished pieces.

    All posted artwork/images and text are ©Sue Pownall. All rights reserved.

    Email for permission if you want to use them using the contact form.

    It is ok to quote images or text on your non-commercial blog or website as long as you give a credit and link back. It is not okay to pin images.


    Copyright © 2009-2019
    Sue Pownall

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